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Sorry this has taken me so long to get back to you about. But my deadlines are over, so I'm here.
You did very well here. What I'd like you to do now is to take the melodic and harmonic implications of this counterpoint exercise, and create a piece of homophonic music - that is, melody and accompaniment - that does not use the exercise verbatim, but rather draws on it for thematic and motivic inspiration.
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