|
Short question: how do you notate a lip slur? I'm not familiar with that technique.
The low drops are most the time used as a special effect. E.g. measure 141: I don't think you would reach the same effect if you'd play the G# an octave higher. But then again, I'm really not familiar enough with the trombone.
With the Glissandos, are you referring to m. 170/171? That should be the only passage with a real accumulation of glissandos. Would you replace the glissandos by lip slurs?
For measure 267, is there a more creative way to modulate? Then we'd have a gliss less.
Another question, which range exactly do you mean with the middle range?
I don't see any underrepresented range (in fact, I tried to use all possibilities of the trombone range equally). Maybe you could give some examples which parts you'd like to have an octave higher or lower?
Overall, I thank you VERY much for your feedback, it helps me incredibly!
|