Gentleman.
I'm honoured by your comments, especially because I appreciate and admire your compositions and other contributions here at YC.
I would love to have the feeling for orchestration that is exposed in some. But I'm a newbie and limited by knowledge and computerpower I have to stick to relatively simple compositions.
I love to compose for harpsichord because it (by nature) must be music on the move (like you said,
Evan) and because moods can't be expressed in piano or forte, it has to be expressed in structure, tempo and/or ornamentation. For me it is a exciting new world I'm tredding.
to
Frantz
The fact that you added a another voice is an honour, it means something in you started to resonate and inspired you. what more could I possably achieve?
It works like a contemporary addition to me in a improvisational style (especially the syncope's)
the only thing that puzzled me is the gap in the middle of the accompaniment.
You know, I sometimes think that a good piece of music has a secret melody, "invisible" to the ear but present in the subconscious. I often "invent/improvise" melodies to music while listening, especially when it is a well known piece, because you can project the improvised melody into the expected harmonies.
Again thanks for all the encouragement.