Quote:
Originally Posted by Majesty
You can continue with the others.
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Here are the remaining harmonizations. I have added an harmonization of the homonym subject in D minor as well.
I've changed the mixed interval inversion when it is in the bass, putting a natural A instead of A# at the end of bar 1. This allowed a different harmonic path to be used. This should be OK given the nature of the inversion...
I have a few open questions in previous posts, and a new one for you:
In the mixed inversion harmonization, when subject is in the soprano, I have possibly used harmony syncopation at the bar1 / bar2 crossing: I end on the I of F# major, which is really the V of B minor, and I immediately make it clear that it's a V and not a I at the next bar because the subject adds the 7th (E). Is this permissible in that context or must I rework that part?
Thanks for your guidance.