Quote:
Originally Posted by zandt1
If one does not play an instrument, how would they compose for it? I mean, a specific instrument. ...must you know how to play it to be able to write for it?
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Playing an instrument isn't necessary - but some sort of intimate knowledge would help. Learn as much as you can about an instrument: Range (overall, recommended, extended); dexterity/velocity; dynamic range; multiple notes?; alternate sound production techniques; overtone series, projection...etc.
I've tried to generalize these for any/all instruments - specific examples: Violin bowing techniques (col legno), trombone alternate positions, clarinet multiphonics, trumpet mutes, horn stopping techniques, cello double stops...the list is endless.
This is stuff you will assimilate and absorb along the way - as you progress as a composer. You want to write for orchestra? Better start digging up info on stringed instruments. Anything that's foreign to you will benefit you if/when you write for it...
Ask a player, read a book, rent an instrument and learn it. Plenty of talented musicians around here, not a bad place to start. Also, check out
wikipedia...
Also, LISTENING...the most important thing for any musician/composer to do. You hear something you like? Dig into it...