Thread: Jazz Theory
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Old Jun 16 2007, 1:25 PM
robinjessome robinjessome is offline

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Arrow Jazz Theory

Okay, I'm sure most of you either have a decent grasp of traditional classical theory, or are currently working on it. What I'm going to present here is NOT DIFFERENT. Honestly, it's the same stuff - maybe different names, point of reference, or application; but there's really nothing new. So, please don't freak out, I'll try and be gentle.

I'll probably work slowly - because I don't want to frighten anyone, and because I'm lazy. All my books are in boxes somewhere in Toronto, so I'm working from my brain, and I havn't really thought about this stuff in ages.

I'll start with Basic Theory 101

Assumptions I'm going to make:

We all know our Major scales? They should look like this:
  • W=whole step, H=half step: WWHWWW
  • i.e. C Major: C D E F G A B

No problem! We all know how to build diatonic triads?



Ta daa. Make sense? Are we all aware of the function of these chords, as pertaining to traditional harmony? V goes to I for example. Still with me?

If this makes sense, and everyone's on the same basic page here, I'll start throwing more fat in the fire soon.

Any questions?