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DO take your time with these exercises, there's no hurry.
The longer you ponder them and consider possibilities, the better.
Don't try to go out of your way to be creative. That's not what this course is about. You're not trying to out-do each other with the most witty and avant-garde examples possible. I'm looking for good, solid and STANDARD orchestration. We'll get into the "creative" side of it later.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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