very good David.
I notice a lot of you are choosing to go the "nasal" route with your melodic combinations 
lots of oboe/bassoon combos.
David, I think that your chord might end up sounding a bit thin, you heavily emphasized the tonic of the chord. If this is what you wanted, then it IS your choice. As I said, outside of actual performing impossibilities, there are no "wrong" choices. There are weaker and stronger choices, but gradually you'll get the hang of those.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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