Quote:
Originally Posted by MusicManJ4
I never accused you personnaly, but there do seem to be a few people here and there that are blatently unaccoustomed to working with 'larger' key sigs.
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I see...and I tend to agree. I think this stems from players as composers - if a key is challenging for them as a musician, then they'll avoid it as a composer.
Quote:
Originally Posted by MusicManJ4
Hmm...are we talking practically atonal music here?
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No...
Quote:
Originally Posted by MusicManJ4
I could never understand how you could change a key sig every measure or two (or three) and make the music sound focused, but that's just me.
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It's not so much changing
key often...more just changing the focus to a different modal
tonal centre. If that makes sense...