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Ok, well, I would like for you to go back and edit some of those chords you arranged on the roots I posted, because for now I would like to work only with chords in root position with a doubled root. For example, your first chord is in first inversion, and your fourth chord has a doubled fifth. Also, I wanted you to notice that my last chord is unusually open (there is an 11th between soprano and alto) and thus not very well suited to chorale style harmony.
In general, feel free to experiment with 6th chords and unusual doublings or whatever else... but only if you have totally understood what we have done so far, and probably better separately from my lessons (although I can discuss any of these further if you want). After all, good music departs from traditional rules of spacing and doubling occasionally - but are you sure you truly understand all the possibilities within my restrictions?
Anyways, you seem to be more proficient than you believe at identifying lots of intervals. Since that will be very valuable, you should repeat the exact same exercise many times with Bach chorales or some other homorhythmic passages. Even if you don't understand the harmonies, you can name intervals.
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DNSIHSXPI
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