Quote:
Originally Posted by Mark
Play the modes, that way you get a feel for how they sound.
Improvise in a scale of C major over Cmaj7, then Dm7, then Em7, then Fmaj7, then G7, then Am7, then Bm7b5. That way, you get a feel for what the particular sound of each mode is.
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Not quite. I could use D Phrygian over a static Dm7.