Quote:
Originally Posted by Franzman
What about other scales? I kinda realise that you cannot just survive on modes alone.  Obviously there is the Blues scale, but I'm kinda curious about the Bebop scale and other "advanced" scales. How do you use them?
Perhaps you could go through some melodic theory too?  |
Sure.
One more thing before them...don't forget the minor scale (specifically, the ascending melodic minor - jazz minor).
C D Eb F G A B
Modes are as follows:
i - minor-major - Cmin-maj7 (minor third, major seventh)
ii - dorian b2 - Dmin7(b9)
III - lydian augmented - EbMaj7(#5)
IV - lydian dominant - F7(#11)
V - mixolydian b6 - G7(b6)
vi - locrian #2 - Ař7
vii - altered - B7alt
Again, you have the same chord/scale relationships with their corresponding modes. There's also modes of the harmonic minor scale, but they are rare and would usually be specified by the composer.
....
Later today, I'll get into synthetic and more advanced scales.
Cool?!