By the way... another thing that I would be interested to know is WHEN to use this. this whole playing certain modes over certain chords, that's cool... but wouldn't it just mean that you are simply playing over the exact same scale all the time...? ah, but I suppose not... I'm thinking linearly... I'm thinking in that ii-IV thing, for example. but, I suppose composers have (obviously) put scales in jazz that are "out" of the tonic scale, so I suppose that's where this kind of thing would be more useful?
I suppose I'm just kind of looking at the practical "what can I use this for" thing.
also, I'm sure this leads smoothly into bop? perhaps making bop scale based on that mode? I think I might be ready to move on now, because I'm asking too many questions
