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Cool thread!
Nielda, you are thinking way to hard in your analysis. First of all, I'm not sure where you got that chord progression because the Black Narcissus by Joe Henderson in the real book is different. Those Bb-7's are Db7's with no Bmaj7(b5). It then alters between Gb-7 and Cb7 with no Amaj7(b5). Finally it repeats |Emaj7(#11)|Fmaj7(#11)|Bbmaj7(#11)|Cmaj7|. They are more or less the same chords but the root are different. You could say this tune is in C but it modulates too much to worry about that.
If you want to use the chord progression you have you really only need to use two modes. Use Dorian for all the minor chords and use Lydian Augmented for the maj(b5) chords (just a Lydian scale with a #5).
I hope this helps.
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