Good, the concept is solid...but you might also think about
the line, and smoothing it out. Think of them like Bach, and four-part-harmony. You always want the smoothest and most logical line... generally. So, somethings to think about
:
Quote:
Originally Posted by Franzman
F-7:
Ab
Bb-7
Ab
Eb7:
Bb
AbMaj7:
C
DbMaj7:
B  ...maybe stay with the C 
G7:
B
Cmaj7:
E (bit of a jump here, but it does set you up nicely for the descending line...)
C-7:
Eb
F-7:
Eb
Bb7:
F (...which you abandoned here. Could have gone to D, and kept that going....then to D again, C, C, B....) 
EbMaj7:
G
AbMaj7:
G
D7:
A
Gmaj7:
B
A-7:
C
D7:
C
Gmaj7:
F#
F#-7:
A
B7:
D (D#)
Emaj7:
D#
C+7:
Eb (A tricky one....E-natural)
F-7:
Eb
Bb7:
F
EbMaj7:
G
AbMaj7:
G
DbMaj7:
Ab
Db-7:
C
C-7:
Eb
Bdim7:
D
Bb-7:
D (Db)
Eb7:
Db
Abmaj7:
C
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Generally, it's quite nice and would probably work well. Do you want to try and play it? (Check your PMs) If you want to , play it and see...it'll give you a good idea of what works and what doesn't.