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Ok, if we lived in the 18th century, I would call this perfect. If one likes this idiom, one would naturally like this sonata.
Well, being in the 21st century, this was very non-poisonous for me. IMHO, when the cello repertoire has reached the point of having sonatas like the ones written by Schnittke, Kodaly, Hindemith, Shostakovich etc., such endeavors are better off as exercises in a specific idiom.
My opinion, ok? Cheers!
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