Quote:
Originally Posted by Saiming
I used to think like that, but if you notice an instrument is getting inactive do one of following:
• Double it with another instrument, test new timbres!
• Create a counter-melody
• Use it as sustainment, if you have a rather 'dry' piece.
|
Yeah, I guess there is AT LEAST always going to be room for experimentation.
Maybe I could even pick up a bassoon myself for 2 bars to save someone else the job, how hard can it be?!
