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or you can use something lengthier, which would give you a bit more space to breath.
The idea is to trick the ear into hearing a single soprano line, while STILL creating interesting inner lines, yet avoiding giving that single soprano line to one instrument.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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