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I don't think that's really advisable.
My recommendation is to avoid the "extreme" range as a general rule. Particularly when writing for orchestra.
Extreme range notes are fine when writing for a specific soloist, or a concertante work.
I'd say, become comfortable within the constraints of the "normal" range of the instruments you use. There is a HUGE amount to do just within those limits.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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