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What you've done is provide a nice running line in the inner voice. That is certainly something we would do in a real piece; however, for now we're just wanting to work with the harmony. Just use crotchets and minims for that exercise.
(There were a few mistakes, but I will discuss counterpoint much later)
Btw, do you prefer British terms (crotchet, quaver, semibreve, etc.), or American terms (quarter note, eighth, whole note, etc.)?
When you have done all three exercises, I will compile them into one, and post a pdf, so other people can see.
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