Quote:
Originally Posted by Verdi_Lver
In some amount of years there will be a notation program...sounds as if it were a real quartet reading it for the first time...
The composer would then change aspects of tempo, articulation, dynamics, expressions, rubato, etc.
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And you think this is a
good idea?
Composers compose....performers perform. Composers trying to control any/all aspects of a performance is a disaster waiting to happen.