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You don't have a 'key', but you certainly have pitch centers, although they change fairly quickly! There are moments where tonality is implied, amidst mild dissonance. You use a lot of stacked 4ths, which is another great sound.
An original voice! You have a lot of leanings towards quartal and pentatonic scales, with a unique control over dissonance. It sounds like you are maybe stretching to keep your music tonal sometimes? Or is that just me? Nice work!
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In Progress:
1. Drift, for orchestra
2. Chamber Symphony, for 17 players
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