Perhaps I misquoted the measure about 16, perhaps 17? I do remember you had 4 notes right on top of each other in the "spaces" of the staff in the bass clef, pardon my laziness for not bringing up the score again. In measure 7, I realize that this is a passing tone, but it would work better with a D in the bass clef atop the C instead of an E. The E and the F clash unnecessarily here. I suppose I can let measure 2 slide, although I disagree about its appropriateness. Only being because I can only imagine if somebody made a comment like i did about one of my pieces, I would probably defend it like you did. In other words...ok, that makes sense
