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1. m. 31, the dynamic on the barline.
2. m. 35, the dynamic referring to...???
3. m. 50. Simile colliding with the notes. Simile with what? Also, the violins play spiccato?
I could go on...
About the part after m. 95, it worked very good in raising interest again in the piece, but it could have occurred earlier!
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