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That was cute. Though, I would hardly call it atonal. It's surely not function-harmony based, but there's a lot of tonal elements, and the relationship consonance/dissonance is still there.
Specially by the ending, which is practically a regular cadence in disguise.
But yeah, cute. Nice looking score too.
Also, again with the definition of Serialist, which to me is defining a whole lot more rows for a lot more things, such as dynamic, form, articulation, etc.
If you want something to really be in the atonal field, look at how Schoenberg or Webern do it. Dissonances one after the other, no resolution, and almost no repetition of any "motives" any of that. Anything that has a tonal-based foundation is done away with.
Though, like Berg, you can use the 12 tone system, strictly, and still sound somewhat tonal through pauses/repetitions, etc.
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