I've returned - with music!
Here are my two most successful attempts. I wrote two more but when I got home and played them they were truly awful, so it seemed pointless keeping them
I've also done a complete analysis of the Chambonnieres and d'Anglebert Sarabandes, looking at harmony, phrase structure, texture, rhythm, etc. I also had a good look at the Rameau and Bach Sarabandes.
You'll be pleased (I hope) to notice that both of my examples involve an N6 chord