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I was about to criticize the continuo, but I see that you acknowledge it is not properly figured. I might be able to advise if you need any help with that.
Otherwise I think it sounded quite polished, although I wish the third movement had more substance. But I think in this period the third movement was often short. Truthfully my instrumental interests are in the sonatas of a slightly earlier period; this, on the the other hand, sounds very late Baroque, with the style galant creeping in. But very well done. I liked the descending chromatic harmonies.
Do you contribute music to the Werner Icking Archive very often? I have found some very rare music there and am very grateful to have it.
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DNSIHSXPI
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