|
After looking at these again I've identified a few problems:
1. There are parallel fifths in beat one of the third bar of the first example. These are so blindingly obvious I'm embarrassed I didn't notice them sooner.
2. The second example sounds quite 'bare' because the soprano and bass have mainly octaves and fifths between them, I should've focussed more on getting good two part counterpoint between the outer voices before filling in the harmony.
__________________
You just lost the game.
Quote:
Originally Posted by M_is_D
There is not a single post by you in which you don't sound terribly british, Mark.
|
|