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Daniel, you've moved into a whole new way of composing compared to the last works of yours I heard a year or so ago. Surprising and refreshing. Is this the direction you intend to take? If so, I congratulate you, but not without a little sadness at your taking leave of the fraternity of revivalists.
I enjoyed this piece. Your writing for the cello is idiomatically quite good...there are moments that might be a bit challenging, and that's as it should be, but much of the time you give the player freedom to concentrate on making the most of the instrument's rich tone, and much of beauty to work with.
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