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I really like the interplay between the left and right hand in the Vivace. The music took a kinda strange turn at measure fifty-five, but it didn't feel too "wrong" for more than about a measure, so I wouldn't worry about it too much. The dynamics also were nice in this piece. . . I wouldn't change a thing about them. The piece as a whole had bits of Mozart and Strauss in it, and I dug that style. The ending seemed a bit abrupt, though. I have no problem with ending on an unresolved dissonance for effect, but I think that a rallentando would have been in line.
Good stuff.
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