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is it so much of an absolute truth that 'writing what's in your head' is the best way of composing? could it be that music may be born not in your head, but in your dialogue with instrument you have at hand, somewhere in between your head and the one outside it? is it so important to write 'what's in your head'? and can there be "ideas" but not melodies in your head that you want to compose from/with/out of? may music come to you out of the blue? without any head-stuck melody preceding it? like - starting from the scratch? why would one be engaged in writing what he has already heard , done in his head? like in all good books - the writer comes to be written by the language ideas, unknown to him before.
so, my point is, it might be so much more fun and creation when you don't know how it will turn out in the end.
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www.myspace.com/rakshtis
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