|
I've gotten about 3 minutes 30 seconds into it now. Near the end the upper voice variations seem to fall a little flat or seem a little lost/out of place. I modulate from B to E, before returning to B with the mirrored ostinato and its variations (I'd only started to develop this. There are 12 passages as it is).
This is the most development I've been able to get out of my music to date, though the piece still remains incomplete (theres no coda).
I think sometimes the upper voices tend to drown out the ostinato too strongly with its chords. Some of the chords do seem poorly placed, or in other places where you might expect to find them they are absent. Some of the chords chosen may not be suitable.
|