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Great head, man! I love how everything emerges from it when it enters and reenters at the end. I can sense some satire, perhaps against the redundancies of teaching blues scales in jazz - the instruments come in and sort of noodle around with them (I hear a clear bebop scale descending in a sax part). Nice job!
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In Progress:
1. Drift, for orchestra
2. Chamber Symphony, for 17 players
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