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The passage from 59-71 is what the bassoon line has starting in measure 9. I put it in for a to give some seperation to the main theme. It's basically there to other parts. The tuning won't be a problem for the quintet I wrote the piece for.
Again thanks for the comments, it really helps and gets me thinking.
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Current Projects:
Symphony No. 1 in C minor
Duet for Two Clarinets
Pieces for Woodwind Quintet
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