Here's the Sarabande I was talking about. I know it's not
that 'Baroque' in sounding, especially the Dorian harmonies in the latter half of the A section, but I used a fair few secondary dominants, and modal mixture and I'm hoping the texture is successful.
Finale is awful, as we know, so I hope you can imagine the chords being rolled, and all the other nuances of performence that are sadly lacking.
Mark
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