OK, I have some little spots that I didn't like, but I can talk to you about that at school. In general though, I'm very impressed. I liked the presto (though I did notice the akward (sp?) counterpoint at the beginning, but you have already stated that you're going to fix it.) , but I'm not thrilled about the adagio. I'm not sure what it was, and maybe it's because classical/baroque isn't to my taste, but there didn't seem to be enough structure there and it seemed a little forced, whereas the presto was easier to grasp and seemed a little more natural. Does that make sense at all? I'm not sure, ask me later so I have time to think about it a bit. The Vivace, in general, was pretty good, but I didn't like it as much as the presto.
I hope that wasn't too harsh, I know I couldn't compose something like that and I'm very impressed and I know the other kids at school will be as well, especially after you've made all the adjustments, though if this were the final product, they'd still be in awe. I don't have time to look through it again tonight, but if you want more details talk to me at school.
Oh yeah, is there going to be orchestral accompaniment to this as a later date?