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Thanks very much that guy. Interestingly, the form I used was very popular during the Baroque period -- chorale variations. The organist, Joe, was extrmeley instrumental in the piece's success as I indicated very little registration for it --- organs vary so much and I wanted there to be flexibility. But to play the piece you need at least 2 manuals (preferably 3) and require foundation, reed and some mixture stops to portray the theatricality of the piece well. I will post a score but I have to sned it to the US copyright office for copyright protection.
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