View Single Post
  #17 (permalink)  
Old May 15 2008, 6:58 PM
blm22 blm22 is offline

blm22's Avatar

Dissonance Composer
Group: Members
Joined: 16-May 07
Posts: 204
Member Number: 2777
Quote:
Originally Posted by DrPangloss View Post
Solos are good, because they let our ear hear something different. Also, your groove doesn't change up all that much. Give us some variation. So, perhaps the trombone sings a little, and then maybe the clarinet cuts the trombone off, then maybe they fight a little back and forth. The two instruments make it interesting to listen to, because suddenly it's not the full sound of all the instruments, but only one sound. Then another, and a call and response--especially with very different instruments--is yet another thing, before we go back into the familiarity of the main part.

Many jazz songs will play for a while, focusing on the main melody and groove, then the sax takes over. The piano provides some chords, the drum a basic rhythm, but mostly, it's about the sax. Then the trumpet. Then the drums. Then the piano. And back into the groove with everyone. You see what I mean?

Static just means it kinda stays the same, and that can get boring, no matter how good the music is. Variation is good, and then bringing us home to something familiar is good, as well.

Just realized a lot of other people said basically the same thing I was trying to say, so let me offer this terrific example by Jason Robert Brown (and this makes the second post in five minutes that I've mentioned him!): Im in Bizness - Putfile.com

ok,thnx I'm working on adding some length to the song and adding some counter to the melody, I couldn't hear the song you linked me do you have another site because my p.c. won't work on that site.
__________________
I shall seize Fate by the throat; it shall certainly not bend and crush me completely.
-- Ludwig van Beethoven, 1801
Reply With Quote