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Heres the row:
1: C#
2: C
3. A
4. D#
5. D
6. E
7. B
8. A#
9. F#
10. G
11. G#
12. F
I listened to Penderecki's "Threnody" and found it frightening to say the least. I'm curious how he approached writing such a monstrous piece. I love Ligeti's Atmospheres, particularly the use sound mass composition to create "walls of sound".
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