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I like the fact that the bass line is always implied, but varied, which keeps it in style. I also like the fact the fact that this does not sound overly modern, since I like the old styles. The harmonies were well constructed imo, though it was sticking to I-V in feeling. The constant thirds, however, do get quite tiring... why don't you explore fourths and fifths? The dissonance was very effective throughout the piece, imo. I could feel the ostinato throughout most of the piece, which is also a plus. I think that the scales at the end should change direction in accordance with the ostinato.
The ending surprised me! I thought this was done! Is it done?
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Favorite composers: Beethoven, Schubert, Mendelssohn, Bach, Schumann
Playable instruments: Saxophones, Violin, Clarinet, Piano
Favorite pieces: Mendelssohn Symphony 1------------------------------------ 
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