Quote:
Originally Posted by Justin Tokke
Well, I would be glad to be the overal orchestrater and composer. A good project over the summer.
I can be coordinator if necessary too. In opera, the composer is the director of the play, he/she dictates what will happen and how it happens through the music.
My suggestion is to get a complete libretto finished, right down to the complete dialouge. Then certain scenes can be assigned to certain composers. I claim dibs on the overture and orchestrations! (since no one else has). 
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Well, I don't think we should have a single overall composers. But maybe just someone to piece together the parts that people have written, if that's what you mean.