Quote:
Originally Posted by QcCowboy
The idea was to show that some instruments can double on important lines, particularly when you mix certain timbres (like horn or woodwind with strings), to bring out that particular line.
Also that you don't have to treat each pair of instruments identically.
|
My brain is having a hard time with what you just said, any chance you could explain these principles with examples from the score?
Cheers.