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Hm.
I like what you got, do you have anything planned for the structure? If there is any? What do you want to develop in terms of material? Rhythms? Motives? Dissonance or harmony?
Also, remember that these people need to breathe so large passages need to be broken up into phrases. You can use slurs here to indicate when to breathe, etc etc.
As for the harmony, well, don't worry too much about it unless you have a specific scheme you want to adhere to. You can do a chord-map for example, and have free-modulations through it as the structure of the piece. As an idea, anyways.
I get the vibe you're treating the oboe as a sort of "primary" instrument and the other two as accompaniment. There's nothing wrong with that, but remember that in these types of small ensembles you can hear clearly the other voices, so you may want to consider how you balance them differently.
But, it's not really bad how you have it. Maybe it can be interesting to mix it up a little later on in the piece.
You also clearly have a motive/theme at the start, with a pretty particular harmony. Are you going to use it again? After the C major chord at the end of the fragment you could as well work with that sort of "theme" some, with some variations rhythmically maybe.
Like I said, it's pretty nice what you have so far. But, try to think ahead of your writing. Where do you want to go with this? Do you have any sort of particular length in mind?
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