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I find paralell 3rds/6ths useful for fast notes, while contrary motion sounds better for slow notes (at least for me).
I don't know much about orchestration, but I think long run of paralell 3rd/6ths/8ves/unisons are ok, if their purpose is to emphasize or enrich the main melody or to make the counterpoint less dense (so easier for the listener).
So there is no problem with your composition.
Máté
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