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Thanks for all the compliments and criticism. I felt I learnt a great deal from this composition as it represents a foray into a style with which I'd previously been unfamiliar. I'm currently working on a Ritornello Concerto in a purely baroque idiom, which should be interesting. I'll probably sketch some of the other movements before I post it though - I've got more than one idea for the second movement... (though most sound worryingly like that 'Adagio' erroneously attributed to Albinoni)
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