Quote:
Originally Posted by antoniom
...If you had a romantic piece in G major, it would not have the emotion than if the piece was in A or E major.
|
How is that? Equal temperment has eliminated any acoustical differences between keys. The difference lies now only in tessitura and playability/familiarity of performer.
Emotion is not something that's dictated by a key. The performer must inject it, and will (hopefully) do so equally well in any key.
And, yeah. If you expect anyone to listen to them, you'll need to provide scores and/or MIDIs.