Lizard

Hi all,
just a quick question regarding the application of 'proper' music theory to pop/rock pieces: Do you think it is appropriate or necessary to watch out for the fallacies encountered in four-part writing when composing a pop song as well? E.g., I'm doing one right now, and write parallel fifths and octaves all the time between the voice part and the bass guitar. Do you think this should be avoided at all costs, or is it simply a different context, where such things are acceptable? Do you know which is the prevailing view on this, or am I the only one who thinks about this stuff?

Thanks in advance for your input!