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You know? this all just looks like bullshit to me. I'd be considerably more interested in hearing how YOU as a composer can use it in some logical or consistant fashion to actually create music.
Care to post something instead of your crudely done drawings?
By the way, you might not feel that much of the criticism levied against you regarding the quality of the images you've supplied with your wall-of-text is fair, however, you're posting a VERY difficult to substantiate theory, with very little to back it up, and the first thing you post as a sort of substantiation is drawings that look like they were done by a 4 year old.
if you want anyone to take the time to read through your theories, and maybe, just maybe, take you seriously, you are going to have to learn to format your material in such a manner as to make it understandable, and supply supporting material in a format that is legible.
until then, I reiterate: bullshit.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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