Quote:
Originally Posted by Gongchime
But seriously, at least with popular styles of music, they are not known for being stored in the form of a score. Even with classical music, the score isn't the music. Do you want a map of your destination or the actual destination?
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Considering the material you are putting before us, I want justification.
You are expounding theories about musical creation that are just off-the-wall and untenable. I want to hear and SEE how you apply those theories to create music.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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