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in all truthfulness, there is no "best software" for composing.
you certainly won't learn how to compose from software, only a good teacher can give you that.
software, on the other hand, is a great tool for getting where you need to get with your composing.
1. if you only want the sound files and have no interest what-so-ever in notation, then use a sequencer, there are a number of these programmes on the market, at different price levels and degrees of complexity.
2. if you want to have a notated version of your music (ie: to give to people to perform live) then you're better off going with one of the notation/sequencer programmes like Finale or Sibelius. If I'm not mistaken both have a "low end" version of their product that is less expensive.
3. get used to working with a pencil and staff paper next to you. you can jot down ideas much faster on paper than on a computer. the reason I say this is that the computer tends to act as a trap when you don't have the musical/technical training. It often pushes you to keep things you might normally have rejected had you put them down on paper. I have a whole set-up with 2 computers, 2 screens, 4 printers, 88-key keyboard, a rack of external synths/samplers and internal virtual synths/samplers, and I STILL have a stack of loose staff paper on my work desk next to me when I'm working.
4. I repeat - a teacher. I can't encourage you enough to find a good teacher, someone with whom you will be comfortable. A good teacher is a friend, a mentor, a sounding board. A good teacher will impose things on you, and at the same time encourage you to explore and be yourself.
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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